chattering in French, I ducked back into the t*droom to find
out why the woman didn't respond.
My answer was there on the floor, in a widening of
blood.
Elaine Withers was dead, three bullet wounds in her chest,
neck and head.
Even in death, she was t*autiful.
I threw a t*dspread over her body and went back into the
sitting room. People were flocked around the door, so I
waved the Luger at them and waded through.
At the elevator, the clerk from the desk saw me and called
out: "What
"Just call the police," I replied as I stepped onto the little
cage. "Maytr they can figure it all out."
As the elevator descended, I through the grating at
the desk clerk. He was grinning.
"1 already called the police, Monsieur Carter," he said,
emphasizing my real name. "Don't you think you should
stay and talk with them?"
I shook my head and saved my breath. I was almost out of
voice range anyhow. But that grin had told me everything.
the desk clerk would spill his guts to the Paris police
and I would a hunted man by both sides of the law.
But to hell with that. I had bigger things to worry about.
Obviously, Cronin and his people were not bashful about
striking, hard and quick. The only reason they had not yet hit
David Hawk, I figured, was because he was in Washington
and it would be difficult to get away with it there.
When I left the George Cinq, I took to alleys, which are
plentiful in Paris, and found a small hotel near Avenue Victor
Hugo. I used another phony name, knowing that Paris police
would receive a copy of the hotel's register and would
looking for both Carson and Carter.
I had just lain back on the hard little trd to a quiet
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mourning of the beautiful Elaine WithersDiane Northrup
when there was a knock on the door. I got up. Luger in hand.
An envelope slid under the door and by the time I looked out
into the hallway, the messenger had vanished. The message
was from Hawk. I could tell because he used the failsafe
code—virtually uncrackable without the key, which only
two people in the world knew, Hawk and me, Deciphered, it
read:
"It has been confirmed that Mr. Snyder has gone bank-
rupt. He is in to settle an old debt. Urgent you go
there."
That was AXE language for this: "Snyder is a turncoat;
he's in St(Xkholm to kill our agent there. Stop him."
It was imperative that I get to Sweden to warn James
Lobell.
If I could get out of France.
Chapter Seven
The big DCIO dipped its port wing as we approached the
city and I looked down at the sparkling islands that make up
Stockholm. I have never seen the lovely brick and granite
city without thinking of Venice. The thirteen islands that
make up St(Xkholm seem to glitter like stones in an ocean,
and water is everywhere—even serving as streets in low-
lying areas.
Thousands of boats were moving up and down between the
busy islands, serving as taxis and commercial vehicles. And
the many bridges and wide streets were filled with people, on
foot and in cars and trucks.
The wing leveled off and the jet streaked off to the north,
on the edge of Lake Mälaren, to land at an airstrip that is no
more than a giant clearing in a forest of pines.
It all seemed so peaceful, yet I knew that Cronin's men-—
perhaps even Cronin himselß--would be there in force. Once
they disposed of James Lobell, they would move, in a pack,
to another læation to eliminate another AXE agent.
Unless I stomxd them.
Under most conditions, one AXE agent does not contact
another agent directly. That is, we never meet in the flesh.
The closest I usually come to other agents is through tele.
phone calls if I cannot learn what I need to learn from them
through the computer bank in Washington.
This was an extraordinary situation.
I left the airport, waited until dark and went to James
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Lobell's apartment on Staden Island, the heart of Stock-
holm's old city. He lived in a third-floor flat in a quaint old
gabled house that was at least three hundred years old, on a
narrow street only a few hundred yards from the water.
"Hey, Nick," he said, spreading his arms as he greeted
me at the door, "l haven't seen you in ten years. What in
thunder brings our old veteran out to see me?"
"Let's get inside and I'll tell you," I said, looking past
him into the apartment to make certain he hadn 't already been
invaded by Cronin's men.
"What are you looking for, old buddy?" he asked as we
moved inside and he closed the ' •Broads or
Lobell was not a new agent, so he should have known that I
would not pay him a visit for broads or booze. It was obvi(.11s
to me that his loud greeting and convivial comments were a
cover. I gazed around the room, inspecting it, and noticed
that one window was slightly open.
Lobell followed my gaze and put a finger to his lips,
shushing any comment I might make about the window.
' 'Let me get a jacket from the he said loudly.
We'll have to go down the street for a drink. I'm fresh out."
"I don't want a drink," I said, uncertain of what he
planned to do. I •thought we should check out that open
window immediately.
"Of course you do," he said, gripping my arm and guid-
ing me back to the door. He winked, a grim wink. S S You must
have had a weary trip up here. You need a drink. Come
along, old buddy. I know just the place to go."
I didn't protest. We walked down the three flights to the
street and James Lobell chatted loudly and amiably as we
headed down toward the water. When we were two blocks
away, he ducked into an alley and pulled me after him. His
voice came in a hoarse whisrrr.
' 'You came at a good time, Nick. Somebody has tren
watching me for days. Just before you arrived, I heard them
on the fire escape. When I heard the window being jimmied,
I sat and waited. When you kncxked, I had my gun in my
53
hand, ready to blast them to hell. What in the world is going
on?"
I told him about Robert Cronin and Dave Snyder, and
about Elaine Wither's part in the project. He smiled when I
mentioned her name, but frowned when I told him that she
had been shot during an assault on me. I told him how Hawk
had warrrd me, via the computer, that he, Lobell, also was in
rouble.
"Okay," he said finally. ' 'What do we do next?"
' 'That's easy," I said. ' 'The hunted become the hunters.
Let's circle back and watch who is probably right now
breaking into your apartment. When they leave, we can
follow."
He nodded and led the way to an alley behind his apart-
ment building. We separated then to avoid being caught in a
trap. I found refuge in a hedge and settled down with my
Luger in my hand to watch his apartment.
The apartment was dark, but I saw a flickering light
from the window. Flashlight. Someone was in there search-
ing through Lobell's belongings. I saw movement below the
fire escape and saw Lobell creqing up behind several gar-
bage cans.
In twenty minutes, the light went off and the window to
Lobell's apartment opened wide. Two dark figures came out
and down the fire escape. When they rounded the corner and
entered the alley, I crouched lower to let them pass. They
went silently, moving across the rough cobblestones like
two-legged deer.
Lobell came out from behind the cans and motioned for
me. We went to the big garage across the alley and got into
his car. As we came out ofthe alley, we saw the men get into
a small green Volvo.
*'Okay," Lobell said. "Now, all we have to do is make
sure they don't spot us."
We cmised all over the small island, then crossed the
bridge to the mainland, near the Parliament building. As we
gained speed through the more modern section of the city,
NICK CARTHR
54 NICK CARTER
Lobel! filled me in on what had been happening. "I just came off an assignment two weeks ago in Libya," he said. "Mostly in the Tobruk area. You know, they're still talking there about an American spy who killed a dozen alleged syndicate men and left two city blocks in flames. You wouldn't know about that, would you?" "No more than you," I lied. "Anyway," he said and chuckled, "when 1 got back, my apartment had been ransacked. The next day, when I went down la the telephone exchange to make my report, I was followed. As time went by, more tails were put on me and once I was stopped in an alley near my apartment by two men who said they wanted directions. They didn't need direc-tions. 1 could tell by their accent that they were native Stockholmers." "What did they want, then?" "To get a closer look at me, I suppose. I gave wrong directions just to see their expressions. They didn't disap-point me. They knew the directions were wrong when a stranger would not have known the difference." He was silent . we tumed a corner, crossed another bridge onto Kungsholmen Island. We passed huge factories and warehouses in this industrial section. The streets were eerily deserted. "Earlier today," Lobel! went on, "I decided to call their bet. I went to a pawn shop and bought a lot of junk and had the pawn broker wrap it in dark paper. When I sneaked the box into the apartment, their curiosity got the better of them, so they came snooping closer. That was when you showed Lobell slowed m the Volvo turned into the driveway of is ball bearing factory. He stopped and we slumped in the front seat, wailing. "No sense going in diere," he said. "This is only a deco)) stop. They'll change cars before going to their hideout." After a long silence, broken only by the clattering distant machines and the hooting of boats on the eternally. busy Norrstrom, Lobel! spoke.
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"Nick, you really think they'll get to Hawk?" "Highly possible," I replied. "They're taking a lot of time and that means they're being very careful and deliber-ate. AndCronin not only has hired gunmen on his payroll, he has the active support of both the Mafia and the Corse. That makes for an almost unbeatable combination." Lobel! whistled and shook his head in dismay. "My God, what will happen to us? To AXE?" "If their plan works. Hawk and most AXE agents will die. The government will appoint a new leader, but the new man won't have many people to lead after awhile. Their plan is to nip us all off, you know." "So," James Lobell said, letting out a full breath and sighing in the dark car. "That means we have to stop them before they get to Hawk." "Right. Look sharp, my friend, here they come." A limousine eased out of the factory driveway and we hunched lower in the seat. The limo turned toward us and we both gripped our pistols, waiting for an assault. But the big car moved on past. Lobel! waited ten seconds, then started his engine. He made a 1J-mm and followed the limousine, slowly. After another hour's drive, the limousine finally stopped at a small hotel on the island of Ostermalm, on a quiet, mostly residential street. Lobell turned off the main street a block past the hotel and parked on a dark street. "Want to hit them now?" he asked. "No. We don't know what we would be hitting. Let's stake them out a few days." Three days later, on a Saturday night, we were ready to hit them. We knew. During our surveillance, we had spotted Robert Cronin and Dave Snyder leaving and entering the little hotel with a bodyguard. Lobel! had even gone into the hotel lobby and reported back that Cronin's men had virtually taken over the place. "This is their headquarters," he said. "They have the top floor for the leaders, and the other two floors for their damned army of thugs."
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"So we take a calculated risk in hitting it," I said. "Even if we come out of it with our lives, we may force them to speed up their plans to hit Hawk." We agreed that the risk was a necessary one. And so, on Saturday night when the thugs would be relaxed and drinking heavily, we decided to make a two-men assault on the hotel. We rigged a thin nylon escape line from the top of the hotek to a nearby apartment building. Beyond that building was the river, with plenty of boats for escape. And Lobel' arrangeth for a water taxi to be on hand at the breakwall alongside the river. We had only to get out of the hotel alive and make it to the. boat. We were figuring that Cronin would not be prepared fog, water pursuit, so we would exact our pound of flesh, eliminating both Cronin and the turncoat agent, then disap-pear into the cool Swedish night. The attack plan was simple but Napoleonic in concept. We depended wholly on surprise. And, since Osteemalm was primarily residential, we were far from police headquarters, so would not have to fear immediate police interference. We had no intention of attacking Cronies army; we wanted only to hit the top floor where the leaders were living, then take off. lames Lobell went up first. I waited in the alley until he signaled from the roof that all was quiet and that our escape line, attached just after nightfall, was still intact. When I reached the roof, Lobell was crouching in darkness behind an air vent. I joined him and we located the lean-to shed that contained the door and stairway to the top floor belowus. It was so quiet up there that I began to suspect a hap. The had on the back of my neck raised up, tickling my skin. ii.. "We can't go in that way," I whispered. "Danger signs are lighting my body up like a pinball machine." "I know what you mean," he replied. "I feel it too." I didn't want to abort the task, but I also knew that my
STRIKE OF THE HAWK 51
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I warning instinct was almost infallible. It had saved my skin innumerable times. All right, Jim," I said. "Let's take the fire escape down to the top floor. It should dump as out into the main corridor. We can strike from there." Slowly and quietly, we crawled across the dark roof to the 1. fire escape. At the top floor, we jimmied the window and entered the empty corridor. As soon as we were inside, we heard hoarse voices from down the hall. I moved along the dim corridor and Lobell followed.• Another hallway led off to the right, at the end of which were six men standing outside an exit door. It was the door leading to the roof. My danger signs had been accurate. We would have been killed as soon as we opened the door from the roof. Sweat collected under my arms and around my neck, although the corridor was cool. There was a tactical decision to be made. If we attacked the men huddled around the door to the roof, our main quarry—Cronin and Snyder—would be Iwarned. They would get away. However, if we attacked the bedrooms, the thugs would immediately respond and come right down our throats. But what the hell. I had gone into even worse situations alone. This time, I had mother agent to cover my flanks. "You stay here," I whispered to Lobell . "I'm going to hit one of the bedrooms. As soon as our friends here move, start pumping lead into them. It'll be like shooting . . "Yeah," i he whispered tightly. "Like shooting rabbits n a wire cage.' I grinned. "Something like that." I eased back up the main corridor and picked a door at random. Checking to see that Lobell was ready, I raised my right foot and whacked the door, hard, right beside the doorknob. The door crashed open and I mw three men sitting in easy chairs. As soon as I opened fire with Wilhelmina, the lights went out and gunshots sounded in the room. Bullets whizzed past
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me and thunked into the door. I tossed in a gas bomb and moved swiftly to the nextdoor. Before I could kick it in. I heard Lobell's powerful Luger open up, followed appropriately by screams and the chatter-ing of automatic weapons. Then came a tremendous explosion and a flash of fire . down the corridor. Lobell had blown all six men away with a hand grenade. I didn't have to kick in the second door. At the moment I felt the concussive pressure from the grenade, the door opened. A heavy man in a black suit stared open-mouthed at me. I put a bullet smack into that open mouth. The man clutched his throat and stumbled back Mtn the room, knock-ing over furniture and lamps. Another rushed out of the bedroom and I dropped him with a single bullet between the eyes. The suite contained only the two men, neither of them Cronin or Snyder. so I dashed out into the corridor again, just in time to see a burly man open a door down the way, directly behind James Lobel'. Lobel! was at the main stairway door, pumping bullets from an automatic pistol he apparently had taken from a dead thug. The man came out of the room, his automatic pistol at the ready. He came slowly, quietly, sneaking up behind the unsuspecting Lobell. I ran down the corridor and the man turned to face me just as I reached him. I flexed a muscle in my right arm and Hugo leaped into my hand. The little knife sank into the man's soft belly and I ripped it up and in, hard. He went down without a sound and I caught his machine pistol in the an. "Behind you, Nick!" Lobell yelled, turning, but still firing away. I whnled just as two men took aim on my head with shotguns. I whipped the pistol up and fired without aiming. • The gun chanced and the men were cut almost in two. I'
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turned back to Lobell, who had thrown away the machine
pistol and was preparing to launch another grenade.
"What the hell is so interesting down those stairs?" I